We love the idea of colouring entire worlds with sound. Taking extra care and paying attention to even the smallest detail, we hope to make the difference between a believable and a completely seamless environment.
Our aim is to elevate the immersiveness of the gaming experience, so in order to add to what the visual team is doing, we have long discussions with art directors until we fully understand the development’s aesthetics and vision, which enables us to start working on an adequate result. All of this is even more enhanced in Virtual Reality with Spatialized Audio software where there is no longer just a stereo field, but a whole sphere of sounds coming at the listener from every direction.
This concept excites us to the point that our studio now has an HTC Vive at the ready, waiting to jump on a new project and begin development.
In our view, the job of the composer is to understand the director’s vision and to help them tell their story, to understand each character to the fullest, to know their back-stories and for a brief moment – become them.
And it is not necessarily just by composing scores – we believe that sound design plays an equally important role when setting the feel of a film and sometimes a carefully placed silence can provide a more persuasive dramatic effect than a symphonic crescendo.
Our team is fanatical about film and cannot wait to once again start researching new characters, synthesizing new sounds, sketching themes and field recording authentic samples.
Quickly adapting to ever changing requirements and responding to briefs is something we see as an interesting and exciting challenge. We love the research process that writing for advertisements requires and how fast-paced it is.
Rapidly crafting ideas and most importantly developing them to a professional standard is our main goal that we commit ourselves to when taking a project on. When it comes to sonic branding we adapt the saying less-is-more, which sometimes might seem easier said than done.
We see sonic branding more like watch-making, spending hours moving sounds milliseconds in each direction, crafting and balancing the frequency content, making sure that our work will reinforce your brand in a delicate and a memorable way.
Writing music and crafting sound design for audio installations for us is a breath of fresh air from more traditional mediums and that is why we love doing that. It pushes us to think outside of the box as few rules that apply elsewhere are in play here.
We treasure every second of mastering and testing our work on the audio system provided, as an opportunity to know exactly in what conditions and on what systems the listeners will hear the material is very rare and for us very precious. From contemporary to brand marketing installations / live Escape Room games to educational experiences doing work for live interaction is immensely important to us, as this is where we meet our audience and witness their reaction in person.
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